Most cellists know that changing your endpin can change your sound, but how does that happen? It’s all about stiffness and mass. Your instrument’s job is to vibrate the air to send its sound out to the listener. However, the endpin is absorbing some amount of that energy. It flexes like a big divingboard in what is called a linear flex spring. Naturally, it flexes at different frequencies depending on how stiff and heavy it is and those properties are a function of its materials and dimensions, but for power and projection, the ideal endpin is as stiff as possible.
Carbon fiber is about 25% as stiff as steel. It flexes a lot more. This is why a cello alternating between the two will find the carbon fiber to be a darker sound with less projection. It’s like this in the bicycle world; steel frames are made of rather thin steel tubes while carbon fiber bikes are constructed with tubes that are about 4 times as large. That’s because the other way to make a tube like a bike frame or an endpin stiffer is to increase the diameter of the tube. What about titanium? It is twice as stiff as carbon fiber, but half as stiff as steel.
The well-known Japanese bell-metal endpin on the market is a high-carbon steel that is stiffer than most lower grade endpins and made a name for itself among cellists for its boost in projection. Compared to normal grade steel endpins, it might be as much as 25% stiffer.
Mass, also, is a factor. This is the idea behind the heavy, thick brass endpins available on the market. Brass is heavier than steel and the added mass allows the endpin to resist vibrating and absorbing energy. However, adding another pound of weight to the cello or having to carry the endpin outside the cello from gig to gig is a tough choice. Also, while added mass can certainly increase projection, most players find that, when compared to a lightweight endpin with increased stiffness, the tone tends to be less textured and resonant.
We believe the ultimate sound comes from the stiffest endpin possible with the lowest mass. Silicon Nitride is as hard as sapphire and is at least 3x stiffer than the stiffest steel and has only a third of the density.
The Krentz Endpin comes in a Traditional, non-adjustable model with one Bright Knob as well as the Adjustable, two-knob version. When you tighten the Bright Knob, the incredibly stiff and light Silicon Nitride endpin is very rigidly connected to the cello. Since the endpin is so stiff, it does not rob the cello of sound-producing vibrations by flexing. The result is the most powerful endpin on the market.
When you tighten the Dark Knob, the endpin is held only by special vibration-absorbing rubber. This rubber allows the endpin to move a bit to mimic a carbon fiber or steel endpin. This results in a more intimate, warmer sound that blends in well with other instruments.
Typically, users tend to use one knob most of the time. Dr. Krentz himself says that he uses the Dark Knob when he needs to blend into a cello section (although sometimes he needs to brighten the sound for some cello sections!) or in more intimate settings like practicing at home or teaching in his studio.
A very active session cellist, he also uses the Dark Knob when recording solo cello since it is preferred by recording engineers each time he asks. And he always asks.
When he needs the power to play in a big space, with a 9 foot grand piano or orchestra, or in a high powered chamber ensemble, the Bright Knob is the answer. Also, the Bright Knob will give you the fastest response from your instrument.
Interestingly, many people note that the bass is more prominent with the Dark Knob, but that is an illusion. One is simply hearing more bass sound in the mixture of sounds the cello is making. When the Dark Knob is selected, or a player is using a flexible endpin, it is actually absorbing many of the higher frequencies and leaving more bass frequencies. However, there are actually less overall bass frequencies as well. Further, the bass frequencies are harder to hear for the audience because they don’t have as many accompanying higher frequencies to give them detail.
Silicon nitride is one of several industrial “super-ceramics” and is the most fracture resistant of the group. Compared to steel, it is several times stiffer, many times harder and much lighter depending on the type of steel or silicon nitride in the comparison.
There are different ways to make Silicon nitride and each method has different mechanical properties like stiffness and hardness. The Krentz Endpin is made by super-heating silicon in the presence of nitrogen while under pressure. This produces the strongest type of material mechanically since the primary concerns for its use in an endpin are stiffness and fracture resistance. They are then turned on a lathe and diamond-polished to the final rod diameter of 11mm.
Elsewhere, silicon nitride is the finest choice for ball bearings due to its incredible hardness and resistance to fracturing and were used in the main engines of NASA’s Space Shuttle. It is also used in heavy industry as a cutting material for iron and hard steels and can cut five times as much material with one edge as more traditional materials like tungsten carbide. Silicon nitride is also often used to make turbine fans in the finest jet engines and high-performance turbos.
When a rod undergoes bending forces, it is the outermost layer particles that take the stress, not the inner particles. This means that a rod that is only a little thicker can be a great deal stiffer. But that is only possible if the density of the material is low enough.
Because Silicon Carbide is 300% stiffer than steel, the Krentz Silicon Nitride Endpin is 600% stiffer than a traditional steel one.